Tuesday, January 17, 2017

January 16


January 17, 2017

Everyone
If you did not READ the last critiques, then look at them on the blog. We are standing still if you do not improve each time you are on stage.
Louder, keep accents going throughout show.  Girls’ accents are good at the beginning, then fade and disappear throughout show.  It was suggested that we do not have as thick accents, then everyone will be on an equal level. MS. Kuehler is in charge of that – talk to her.
Men – you are not as strong as the girls – all men. With the exception of Len and Jim, the audience should hate you.  This does not mean yelling louder. It means your anger, your hatred toward WOMEN should be shown throughout your bodies, not just in your voices.
Women, help the men out by being more afraid of them. REACT
When Edwin is about to pass out, there is silent on stage PEOPLE NOISES before and after
Bar scene was flat. No people noises.  It is funny for the new girl – who thinks you are all insane – to have a chunk of meat on her leg. There were no PEOPLE NOISES.
Bar scene was a SILENT MOVIE
One liners – must hear sound effects
Girls look alike.
All girls lost accents.
Too many silent moments.
Girls overpower guys.
How do we see the two strong sides of Edwin and Arthur?
Women must be afraid of the men.
Bar scene – we must know it’s different. Loud drinking, etc.
Arthur, Lady H, Priscilla
Shoulders back, erect posture.  Better when girls are sitting, but standing you are slumped. Arthur, you have to have good posture all the time.
Edwin
Creepier from the get go.  We need to see you playing with the knife throughout – upper part of body.
Reread last critiques on stage directions for first and last scenes.
Len
What a woman was better. Close your eyes and see your lady with a smile - EXAGGERATE
Lantern scene
See lust – Edwin. Move Maggie out of the way of the lantern light and keep hands on her shoulders a little too long. Maids, take the lantern out so Edwin can look at Maggie more.
Lady H
Priscilla
Edwin
Arthur
People noises in your scenes.
Lady H and GG
Hanky scene – move more DS.  We need to reblock this scene.
Men
Use chains
Len and Edwin
Must see the lust in your faces, bodies when looking at your women.
Annie
Could not hear nor understand first line
Dark gloves, not white.
G G
Do not block lights in magic scene.
Girls cutting meat was too monotonous.
In gutting shed, how do you feel about the muck?  React whether it is bothersome, etc.
You have to react to Harry – you are scared to death of him.
When Ellen retells the story about her first day in service… when she begins, sigh.  React to hearing it again.
At the beginning, everyone needs to make noises according to what their job is.  Maggie and Ellen seem to be the only ones working hard.
React to hand shake – wipe hands on skirts, etc. EXCEPT for Maggie and Ellen who seem to take pride in getting her hands bloody.
We must hear Jesus in Annie’s song.
Song with sarnie scene needs to be earlier and stepped on Eady/Maggie’s last line. IT needs to sound like it did at the beginning – not pretty.  MAKE FUN OF THE QUEEN.
Fallen is a mishmash. Fallen women, must hear fallen – Polly- then it’s like dominos with girls.
Scene after Ellen has to take Jim’s place was too slow.
Awkward transition between Jim/Ellen and Ellen/Annie. Maggie, work behind the bar with Annie, then Ellen.
Accents were lost in Maggie/Ellen/annie scene
Moving chairs out during Priscilla and Lady H’s scene was too loud.
Transition problem with Jim being laid off and Ellen entering, then Ellen seeing Annie.
 React more vocally and physically to being laid off – Polly reassures.
Begin earlier with Caps and gowns – maids help.
In knickers scene – cheat out to audience.
Arthur
Try to show more restraint. We need to see you trying hard not to lose your temper – see the struggle within yourself through your body, facial expressions.
Reread last critiques – cut one of the I’ll get you for this.
More fakeness speaking to Lady H
Polly and Priscilla
Great scene with mirror.
Hold hands or walk together after hat scene when exiting.
Nora and Emily
Good job in keeping busy, watching action, and moving stuff.
Lady H and Priscilla
Your prompt scene seems more your turn, my turn to speak – needs to be more natural.
Lady H, Harry, Edwin, girls
PEOPLE NOISES.  Girls whisper about ROYALTY visiting.   PEOPLE NOISES
Ellen
First line too high to understand.  Speak in soprano register throughout play.
Gawping – step on lines.
Think about kicking chain before stepping over it – see how this works /may or may not like it.
Ellen, don’t give up so easily on working for Jim. Don’t give up so easily on warning girls.
Sound
All sounds need to be ten times louder. The sounds need to sound like transition effects instead of problems backstage.
Thunder needs to be louder
Eady
Louder and slow down. 
That’s our lot should be more sentimental than angry.
Eady and Maggie
We need to sense and see something of your relationship.  More eye contact.  Eady, not so emotional on your first line. We need to see the anger build – on both parts.
Maggie, move up so judge on right stage can see you. Sit on the short stool and move it up past the crate.
Ellen and Harry
Maggie
Make sure E does not see Harry when she is spouting. Harry, try to harm Ellen – Maggie protects.
Ellen Annie
Ellen, PEOPLE NOISES when Annie is telling her story.
Maggie
Soprano voice as well – screechy tonight. Especially with Edwin.
React to thunder during Edwin scene.
Kate
When you clean the chair, bring it down stage. It was covered by the table.
Bigger on guess we better go to club when Ellen says you will lose jobs
Polly
We will always have a job – reassure others – touch them.
Harry
Be careful about entering too early.
Stronger – more stern – possibly push girls in opening, NOT ANNIE.
Ellen, ever red – in disgust.  Spit after you say that.
Move gutting table after you exit the pub. We need a dif hat and coat. You also need gloves.
Stage lights
Why did lights go on and off?
Lights on the action.
Lights
In Annie/Ellen scene with her apartment, more light so we can see Ellen – not much.
Crew
If you are working, clean up after yourselves.  Dressing room was a mess with glue bottles.
Priscilla/Polly
Polly – seem nervous around Priscilla until Priscilla makes a face , then ask her if she wants to try on the hat.
Opening
Loved the discordant singing.
Edwin and Maggie
We’ll see about that PEOPLE NOISES.
Be confident at first, Maggie. Edwin makes a noise with chain. Scared, fight, Edwin makes a noise like a girl when she pulls the knife out, but it further enrages him because he has shown a weakness.  He picks himself up, brushes off his pants, turns, and threatens her. She runs off. Maggie, hold the knife so he can’t get it.
We’ll see about that – People noises from Maggie.
Polly
Bigger reactions seeing Arthur and Priscilla
Hat further up on back of head
Reassure during fired scene.
Priscilla
Enter between Gshed and Lady H’s house.
Don’t pull chains down.
Priscilla & Arthur
Enter between G shed and Lady H’s house.
Lady H
Nod when Nora does things correctly.
Need to do
Light on Edwin’s face with projector.



 
1.       Edwin’s faint needs work and he gets up too fast
2.       Every one move with slow movements when you are on stage and someone else is the focus.
3.       Len, more reaction to g g singing off your customers.
4.       PEOPLE NOISES
5.       Work on easier way to get knife out.
6.       Harry, push Ellen more after she gives news of being laid off
7.       People noises on maid training
8.       Edwin, ANGRIER when Maggie shows up at Lady H
9.       Scenes to work on
10.   Bar scene
11.   Edwin, harry, Arthur
12.   Knickers scene
13.   Opening
14.   Ellen/ Annie
15.   Eady/Maggie
16.   Men and women


19 comments:

  1. I have horrible posture and I am trying to be more aware of it. I know it takes a lot of time to break a habit, so if y'all see me slouching throughout the day please tell me! I really need to work on my scene with ash, I'm just not sure how emotional i'm supposed to be. If anyone has any ideas for that scene let me know

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  2. i'm trying to be more reassuring with the girls when i'm telling them about not losing our jobs. And i'm still trying to be funny so please leave suggestions. i think my scene with Eli is getting better but i will start making noise when i push him.

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  3. I think that over all our cast is very strong. i'm proud of our girls, i feel like since 2/3 of the boys are new they'll catch up eventually, they just need some more confidence and experience to rely on

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  4. So far everyone is doing great but the biggest problem I see in the show is people noise

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  5. Accents need to be more consistent. "Me mother died" needs to be more emotional and Annie needs to look more sympathetic to her.

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  6. I think we are getting better with every rehearsal and I'm very proud of the work everyone is putting in. Of coarse, there is always room to improve. I think we all need to work on incorporating our commanding gesture into the scenes to further expand upon our characters and differentiate them. (Good job gut girls on continuously working on making your characters different. I am still trying to differentiate mine from Becca's, so if you have any ideas, let me know.) I also think we need to work on smoothing out the second club scene, especially when we are putting the caps and aprons on the girls.

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  7. I think that my faint still needs a little bit of work and I'm workin on bringing the knife into play a little bit more

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  8. I think we've really improved but still have a lot of room for change. I know I need to work on being louder and using diction. Just keep listening to critiques and keep in mind who your character is and their purpose

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  9. I am working on not walking behind the bar and making sure the audience think of me as innocent and a good person.

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  10. I think that if we could spend thirty minutes working on walks and differing our accents it would improve the play greatly.

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  11. I think I need to focus the most on harry while he's not speaking. I think a lot of what makes up his character is the things he does in the background. Also I need to focus on my accent and sticking with it to where I won't come in and out.

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  12. I will work on not speaking so high and lowering my voice so that the audience has an easier time understanding me. I will step in the gawping line. I won't give up so easily on working for Jim. I won't give up so easily on warning girls.

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  13. Keep up the energy like on this Sunday and make people noises.

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  14. I think everything is getting better, such as being more dramatic with everything and sticking with the accents. We just need to work on people noises so that it wouldn't be so awkward in a lot of scenes

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  15. The hardest part of this will be perfecting posture and walking like a gut girl/wealthy person. We need to show more of a overtaking of the gut girls by the wealthy. I think we should show more gold chains with the wealthy and more captivity by the gut girls as the play progresses.

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  16. I will work with the lights and see if I can figure out how to stop the flickering. I think this play is coming along greatly.

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  17. The play is growing stronger with every rehearsal. Accents are getting better but there is room for improvement on the pronunciation of words.

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  18. I really liked our energy on sunday, even though a lot of people were missing. I also like how we made sure that everybody is constantly doing a job. I kinda think we should work on our end scenes more because we have gone over our first scenes so much more than our end ones. The gut girls need to work on being different, and I think that we need to remember to walk and act differently! overall I think we are doing a great job!!

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  19. I will really work on my high voice and make it where it is more understandable. I love the energy that we have right now and it will grow as we continue with this play!! Yap gut girls!!

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