February 4, 2017
Lou
Everyone
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Hit consonants, especially at the end of words.
People noises in club and Brown bear
Everyone – create your own characters.
Never drop character
In lantern scene, react.
Move slowly – we are NOT freezing when you are not the focus in the scene.
Cutting Eady/Maggie scene.
Helena’s presence in the room changes – sounds, motive, focus,
intention.
EVERYONE MOVE SLOWLY WHEN YOU ARE NOT THE FOCUS - DO NOT FREEZE. |
Singing
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During transitions singing together is okay, but songs like sailor
song – one person starts it and others join in. – maybe at the beginning too
Girls hum during Jim and Harry’s scene.
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GG
Brown Bear
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Could not hear turkey gristle line.
Girls anticipated it and laughed before Maggie said it.
Show taking meat off Annie – show it toward audience, pass it hand to
hand
In club – which path – should be funny and should react by laughing.
We don’t have thunder yet, but react to it during lantern scene.
We need to have you cleaner(face) after slaughter house.
Pull chain at the end so that Ellen has to step over them.
Study Annie as she enters.
Personalize each introduction .
Keep heads up.
Personalize your work.
Could not hear lines in the pub.
Girls, be more paralyzed with news from Ellen that jobs may be lost.
More fear, confused, amazed by white caps and aprons.
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Jim and Harry
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Loved this scene – Jim don’t come in late.
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Helena
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Be concerned with the girls – especially your first entrance.
Relish on the girls’ accomplishment – knickers – maid scene
More urgent with Priscilla – we have no time to help these girls.
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Lantern Scene
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Girls be more excited. Oooh Aaah
Be riveted by the magic – crawl to center.
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Edwin and Maggie
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Attempted rape – Maggie, back further with the knife – in the stance.
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Change
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Right stage – add another 4 X 4..
We need a desk???????
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Taylor
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Late lights. Can you fix them before the scene starts by anticipating?
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Priscilla and Lady H
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Great scene about girls being laid off and Arthur is mad. So genuine
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Jim
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Take hat off when with Kate.
Late coming in for your scene with Harry.
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Len
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Practice your pick up of Maggie
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Maggie
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Leave it Ellen – Lou made note of this. So did Freida, so let’s look
at it.
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Harry
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Amazing – Lou said you were a SOB
Hit Annie’s bottom
Lou LOVED you today – bragged on how strong you are in this show –
loved ‘that’s quite enough.
Stronger on – unless you don’t want a job at all
he called you a SOB again which in this show is a compliment. |
Kate and Jim
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Remember sitting.
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Carly
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Light on Arthur and Priscilla
At end light on Kate
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Jim
Harry
Len
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When girls and Len exit pub, Harry, Jim and Len move big carcass- the
one I made as well as other furniture.
Use the ladder
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Edwin
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Laugh at the women.
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Nora
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Great job playing a double role
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Emily
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Loved everything you did in your house.
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Maggie
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Great job seeing the difference having lunch outside.
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During one liners
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Light on Kate and Annie. You
both are standing directly in front of each other. Change something. Also, Annie with your line, have a tray of
cups.
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Annie
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Diction in monologue
Annie, when speaking to Ellen – embarrassed by maid’s costume, then
almost hysterical when you say you can’t go on the streets. Physical sensation of not wanting to be
attacked.
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Annie and Ellen
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Somehow move Annie to the chair with Ellen on floor
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Maggie and Ellen
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Needs more silence here
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Arthur
Polly
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Slap the maid.
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Need
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Small table or desk for Lady H.
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Need transition
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After rape scene
Get rid of the hat.
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I think we all just need to focus on reactions and creating moments every time we can. I think if we do that it will strengthen our play a lot more and make it easier for the audience to understand and get a deeper meaning of the play.
ReplyDeletei wasn't here but i heard things went well!! one big thing i'm working on is making sure i always have energy and not anticipating lines. but as for smaller things go, i'm working on smaller details. like reacting when i go outside and adding funny parts
ReplyDeletei'm sad we had to cut because i love having as much of the show as we can, but i'm so excited that we will be able to have more moments. that will definitely be nice to not feel so rushed. for the people who watch the show: does it look too rushed?
ReplyDeleteEveryone needs to nit anticipating lines, it needs to be more like a conversation than a dialog. The gut girls also need to work on nit working when Lady Helena visits the gutting shed.
ReplyDeletei think Lou gave amazing notes and we should take in everything he said! I think it's so important that we each really find our own characters and stick with them, they need to become natural to us so that we are less fake and don't anticipate lines. I loved when Lou said we need to make the audience think with their heart not their head. Everyone also needs to pick out what they're afraid of because i think that'll help us connect with our characters and show change as we overcome those fears.
ReplyDeleteThe show is progressing but everyone needs to concentrate on constanants for example on Saturday I didn't here Annie say the "t" on anything (sorry Cooper):)
ReplyDeleteEven though I couldn't stay the whole critics i really enjoyed listening to what he said. I think he gave us great tipps and we should really try to take in what he said.
ReplyDeleteWe just need to work on the "moments" of the play. We also have a problem with pronounciation making the play understandable. If we fix those problems we will be soaring thought the wind
ReplyDeleteI think this play is coming along great! I'm going to work hard to anticipate the light changes.
ReplyDeleteWe are working on creating more silence and we will not anticipate lines before they are said to make it more realistic.
ReplyDeleteI will work on the pick up line thing and diction
ReplyDeleteI will definitely work on getting out on time and sitting with Kate
ReplyDeleteI will definitely work on getting out on time and sitting with Kate
ReplyDeleteI think everything is starting to workout. The silent practice really helped us. We've got to work hard and really give it our all so that we can make it all the way
ReplyDeletePersonally, I love the Kate and Jim scene. However, during this scene, it seems very light-hearted and whimsical throughout. The direction that the script takes though is one that grows more bittersweet as it progresses. I think a bit less whimsy and a little more sobriety towards the end of the scene would greatly accentuate the joke about giving your money back to Jesus at the end of the scene.
ReplyDeleteEveryone did a great job. I need to work more on my diction and saying my Consanents
ReplyDeleteI think all of the tips that Lou gave us about showing our characters fears and having slower moments will help develope and define our characters to take our play to the next level. We need to work on slowing it down and really humanizing these characters to take the audience on the journey Lou was talking about.
ReplyDeleteI really like how Lou set up mine and Jims scene!! I think it will be a lot easier to put him in a headlock sitting in that position! And I also like that Lou wanted moments of silence! I think it will add a lot to our play!! I think we need a little help on people noises, but we are getting there!
ReplyDeleteDon't get so caught up in your accents that you forget to react and create moments. Don't anticipate each line so much that it looks scripted. Make it look more like an actual real life conversation.
ReplyDeleteThe accents I feel may be holding up back and that is definitely an obstacle we need to over come before we can move forward. The anticipation of lines is real and not realistic and I'm sorry because I know I am like the worst one... (stressed face) I love this play and hope it will go far!!
ReplyDeleteEveryone needs to be bigger with expression and keep your accent throughout the play. Don't laugh to early after people's lines
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ReplyDeleteAccents stay consistent throughout! More people noises and bigger reactions in Brooke and Don's scene. Transitions are getting more snooth! - CLAIRE MALONE
ReplyDeleteMy scene with many and poly is starting to get good I think if I as the man run over everyone else's lines it'll flow better.
ReplyDeleteI think my reactions are too weak. I think I need to really see myself in Emily's position and feel it in my heart not my head.
ReplyDeleteKeep accents consistent, work on hitting consonants. Our actions are getting better, we just need to work on getting consistent accents without sacrificing The ability to hear what they are saying
ReplyDelete